What aesthetic is Taxi Driver?
What aesthetic is Taxi Driver? Urbanity, Modernity, and Modernism. Taxi Driver is a city film. It is about the city and human existence in the city - about how the city and the culture influence human life. The cityscape of Taxi Driver is not idyllic; it is a city dominated by unrest, noise, dirt and suffering, by a disintegrating culture.
What is the theme of Taxi Driver?
Loneliness in Crowds Among the millions of people in New York City, meaningful personal connections can be few and far between, and in Taxi Driver we see several cases of such urban isolation.
Is Taxi Driver about masculinity?
Taxi Driver is a film about frustrated masculinity. Although Scorsese's films are usually being associated with male power and gangster world, it may often relate to a frustrated and fragile male rather than a truly masculine and powerful one.
Is taxi driver too violent?
The Ending Was Too Violent Travis fulfills his John Wayne rescue fantasy by gunning down Iris' pimp (Harvey Keitel), her client, and a bouncer. Bullets tear through their flesh, blood erupts from their wounds and splatters everywhere.
Why is Travis Bickle the way he is?
We never learn exactly what happened to Travis during Vietnam, and the rest of his past remains unexplored, so there's no way to explain why Travis has become the way he is. His war experiences must have influenced his character, acquainting him with violence and helping to turn him into a killer.
Why is taxi driver so praised?
Scorsese injects a real understanding of the place and a real sense of foreboding into even the earliest scenes. He inserts clever and meaningful shots into scenes that other directors might just have filmed straight and his choice of scene and shot compliments the script is depicting Travis descending into madness.
Is Taxi Driver ending a dream?
Schrader said it's not a dream sequence, but it ends where it began, with Travis driving around the city and fueling his hate, waiting to let it build up and explode again.